Time Out New York **** [FOUR STARS]
“…Circuits, provocative new piece…
If you already dig modern dance, Circuits will keep you hooked…”
Isabella Moschen; NYC, 08.25.2009

Infinite Body
“Patricia Noworol's fascinating Circuits feels sprawly and elusive...unusually tidy
….curiously smooth and expertly controlled…
…all executed by Noworol's performers with a cool, fairly uniform affect that's kind of unsettling because, under their deceptively serene surface, there's just so, so much…
…Her well-coordinated team of dancers makes it rewarding …. and gazelle-like choreographer herself.
…Every viewer can resurface with something different and interesting.”
Blog by Eva Yaa Asantewaa – publisher for Dance Magazine, Soho News, The Village Voice and The New York Times, among other print and online publications; NYC, 08.26.2009

NYTHEATRE
“Is there something new in the theatre these days? I've now seen it in two pieces, Circuits being one of them. It is a blending of the process and the production.
…Noworol, a remarkable woman, both in her physical presence and her talent and courage, warms up her beautifully cared for body… She is matter of fact, genuine, and clearly proud of her company….. They are full of youthful vitality and energy; their bodies toned, lean, and trained. In the dance, they attract and repel each other; tease, fight, and play; dance in harmony and discord; explore the connections of daily life.They are sometimes focused and intelligent, sometimes hesitant with youthful anxiety.
…That was a novelty for awhile, and it is a novelty in Circuits as well. I felt a bit like a voyeur…
An interesting evening that I'm still thinking about.”
Pamela Butler August 25, 2009 New York City

IDANZ - NYC
“…Some beautiful movement... expression, and exhaustion make the world go around...humor to an otherwise dark situation…”
August 30, 2009 New York City

OffOffOff Dance
“OK, got me. Even having seen a dress rehearsal, I couldn't tell what was real and what artificial in Circuits, the piece Patricia Noworol Dance showed at the Fringe Festival.
…Circuits is two pieces in one, a theatrical exploration and a dance.
...to blur the lines between theater and real life.
..Noworol manages to mix them effectively and give them equal weight.
The dancers are well matched and well suited to the piece…
…Strong dancing and effective headmessing make this the most interesting Fringe Festival piece I've seen.”
Offoffoff Dance by Quinn Batson, September 8, 2009 New York City

PRZEGLAD POLSKI,   USA - POLISH DAILY NEWS
“Patricia, born in Poland and educated in Germany, has an impressive resume and knows exactly what she wants to tell her audience and how she can surprise them….
The director herself appears on stage and completely shifts the familiar configuration. She forces the dancers to react quickly, and pushes them into new, unexpected and unrehearsed situations. This is the real art -- both here, on the stage .. and in everyday life -- to get back on your feet, to control the situation and smoothly switch to a new position…. The dancers' movements are full of passion and energy….
The audience laughs or is shocked and surprised, which is exactly what the choreographer wants…be alert and careful, beautiful and clever, represent ourselves well in professional situations, have perfectly chosen make-up and clothes and be able to find ourselves in new and unexpected circumstances - which sometimes is tiring and slows us down, but then, causing a quick stir, the choreographer appears on stage and shifts the configurations, making new actions and connections possible." New York City, USA Polish Daily News - CULTURE
by MAGDALENA SZALKOWSKA-CEROBSKI August 2009

Attitude, The Dancers’ Magazine Dance
“Though a familiar I-love- you-I-hate-you-I-need-you-go-away story, the dancers, Elliott Reiland and Yin
Yue, were anything but ordinary.
….their willingness to hit the emotional/physical edges of their characters and the movement, to play
the anger and disdain and tender desire as if happening to them right then and there. Every choice
made by the choreographer assisted them in locating the emotional roots, from how she shaped the
space/divide between them, to how she sparingly used unison, and the extremes of weight, tension
and dynamics.”
Pat Catterson, November, 2009, New York City

OffOffOff Dance
Patricia Noworol's For Four is a dramatic quartet of great range, starting in soft music and slow movements and ending in silence after really big music and jumps and falls, with plenty of substance in between….” OffOffOff Dance , by Quinn Batson, October 1,2009 NYC

“Dance is born from the need to say the unspeakable, to recognize the unknown. In Delirium, opposite emotions that coexist in impossible and often incomprehensible configurations, Patricia Noworol make them more understandable through dance.”Alexandra Cieslak;
Culture, May 2008, New York City, USA

Werdener Nachrichten, Germany
“The fun, well-prepared modern dance beginner class at Folkwang University is being taught by Patricia Noworol. She graduated after four years of BFA studies at the University and now she is in the midst of her MFA Pedagogic studies."
"Ms. Noworol, who will be teaching this class, has an exceptional foundation and understanding of dance education and the technical aspects of Modern Dance.”
“The dancers are jumping, moving smoothly throughout the room, as they all seem extremely happy and passionate about their own artistic endeavors.” H. Peppel, Esssen November 17, 2000

WAZ, Germany
“Patricia Noworol's choreography, “Notizen vom 5.12.97”, embodies a central character that describes a melodic longing for security. She provides evidences of loss and an irresistible urge for life.”
M. Krause, April 29 ,1998

NRZ, Germany
"In her extraordinary choreography Patricia Noworol proves emphatically that the sorrow most often touched by love, is present in dance.”
D. Schenk-Gullich, April 27, 1998